Encounters: The UFO Phenomenon, Exposed!/Encounters - The UFO Phenomenon, Exposed (1995).iso/misc2/misc092.txt

Text File | 1995-10-20 | 10KB | 149 lines

      " THE SECRETS OF LEVITATION

   A New Zealand scientist recently gave me an intriguing extract from
 an article published in a German magazine, relating to a demonstration
 of levitation in Tibet. After obtaining a translation by a German
 journalist, in English, I was amazed at the information contained in
 the story, and was surprised that the article had slipped through the
 suppression net which tends to keep such knowledge from leaking out to
 the public. All the similar types of stories that I had read up until
 now were generally devoid of specific information necessary to prove
 the veracity of the account. In this case a full set of geometric
 measurements were taken, and I discovered, to my great delight, that
 when they were converted into their equivalent geodetic measures,
 relating to grid harmonics the values gave a direct association with
 those in the unified harmonic equations published in my earlier works.
 The following extracts are translations taken from the German article:
 'We know from the priests of the far east that they were able to lift
 heavy boulders up high mountains with the help of groups of various
 sounds .. The knowledge of the various vibrations in the audio range
 demonstrates to a scientist of physics that a vibrating and condensed
 sound field can nullify the power of gravitation. Swedish engineer Olaf
 Alexanderson wrote about this phenomenon in the publication, Implosion
 No. 13. The following report is based on observations which were made
 only 20 years ago in Tibet. I have this report from civil engineer and
 flight manager, Henry Kjelson, a friend of mine. He later on included
 this report in his book The Lost Techniques. This is his report: A
 Swedish doctor, Dr Jarl, a friend of Kjelsons, studied at Oxford.
 During those times he became friends with a young Tibetan student. A
 couple of years later, it was 1939, Dr Jarl made a journey to Egypt for
 the English Scientific Society. There he was seen by a messenger of his
 Tibetan friend, and urgently requested to come to Tibet to treat a high
 Lama. After Dr Jarl got the leave he followed the messenger and arrived
 after a long journey by plane and Yak caravans, at the monastery, where
 the old Lama and his friend who was now holding a high position were
 now living.   Dr Jarl stayed there for some time, and because of his
 friendship with the Tibetans he learned a lot of things that other
 foreigners had no chance to hear about, or observe.   One day his
 friend took him to a place in the neighborhood of the monastery and
 showed him a sloping meadow which was surrounded in the north west by
 high cliffs. In one of the rock walls, at a height of about 250 metres
 was a big hole which looked like the entrance to a cave. In front of
 this hole there was a platform on which the monks were building a rock
 wall. The only access to this platform was from the top of the cliff
 and the monks lowered themselves down with the help of ropes.   In the
 middle of the meadow. about 250 metres from the cliff, was a polished
 slab of rock with a bowl like cavity in the centre. The bowl had a
 diameter of one metre and a depth of 15 centimeters. A block of stone
 was manoeuvred into this cavity by Yak oxen. The block was one metre
 wide and one and one-half metres long. Then 19 musical instruments were
 set in an arc of 90 degrees at a distance of 63 metres from the stone
 slab. The radius of 63 metres was measured out accurately. The musical
 instruments consisted of 13 drums and six trumpets. (Ragdons). Eight
 drums had a cross-section of one metre, and a length of one and one-
 half metres. Four drums were medium size with a cross-section of 0.7
 metre and a length of one metre. The only small drum had a
 cross-section of 0.2 metres and a length of 0.3 metres. All the
 trumpets were the same size. They had a length of 3.12 metres and an
 opening of 0.3 metres. The big drums and all the trumpets were fixed on
 mounts which could be adjusted with staffs in the direction of the slab
 of stone. The big drums were made of 3mm thick sheet iron, and had a
 weight of 150 kg. They were built in five sections. All the drums were
 open at one end, while the other end had a bottom of metal, on which
 the monks beat with big leather clubs. Behind each instrument was a row
 of monks. When the stone was in position the monk behind the small drum
 gave a signal to start the concert. The small drum had a very sharp
 sound, and could be heard even with the other instruments making a
 terrible din. All the monks were singing and chanting a prayer, slowly
 increasing the tempo of this unbelievable noise. During the first four
 minutes nothing happened, then as the speed of the drumming, and the
 noise, increased, the big stone block started to rock and sway, and
 suddenly it took off into the air with an increasing speed in the
 direction of the platform in front of the cave hole 250 metres high.
 After three minutes of ascent it landed on the platform.   Continuously
 they brought new blocks to the meadow, and the monks using this method,
 transported 5 to 6 blocks per hour on a parabolic flight track
 approximately 500 metres long and 250 metres high. From time to time a
 stone split, and the monks moved the split stones away. Quite an
 unbelievable task. Dr Jarl knew about the hurling of the stones.
 Tibetan experts like Linaver, Spalding and Huc had spoken about it, but
 they had never seen it. So Dr Jarl was the first foreigner who had the
 opportunity to see this remarkable spectacle. Because he had the
 opinion in the beginning that he was the victim  of mass-psychosis he
 made two films of the incident. The films showed exactly the same
 things that he had witnessed.   The English Society for which Dr Jarl
 was working confiscated the two films and declared them classified.
 They will not be released until 1990. This action is rather hard to
 explain, or understand.: End of trans.'   The fact that the films were
 immediately classified is not very hard to understand once the given
 measurements are transposed into their geometric equivalents. It then
 becomes evident that the monks in Tibet are fully conversant with the
 laws governing the structure of matter, which the scientists in the
 modern day western world are now frantically exploring. It appears,
 from the calculations, that the prayers being chanted by the monks did
 not have any direct bearing on the fact that the stones were levitated
 from the ground. The reaction was not initiated by the religious
 fervour of the group, but by the superior scientific knowledge held by
 the high priests. The secret is in the geometric placement of the
 musical instruments in relation to the stones to be levitated, and the
 harmonic tuning of the drums and trumpets. The combined loud chanting
 of the priests, using their voices at a certain pitch and rhythm most
 probably adds to the combined effect, but the subject matter of the
 chant, I believe, would be of no consequence. The sound waves being
 generated by the combination were directed in such a way that an
 anti-gravitational effect was created at the centre of focus (position
 of the stones) and around the periphery, or the arc, of a third of a
 circle through which the stones moved.   If we analyse the diagram
 published with the original article, then compare it with the modified
 diagram, we become aware of the following coordinates, and the
 implications, when compared with my previously published works.   The
 distance between the stone block and the central pivot of the drum
 supports is shown as 63 metres. The large drums were said to be one and
 one half metres long, so the distance from the block to the rear face
 of each drum could be close to 63.75 metres considering that the pivot
 point would be near the centre of balance. My theoretical analysis, by
 calculator, indicates that the exact distance would be 63.7079 metres
 for the optimum harmonic reaction. I believe that there is not much
 doubt that the Tibetans had possession of the secrets relating to the
 geometric structure of matter, and the methods of' manipulating the
 harmonic values, but if we can grasp the mathematical theory behind the
 incident, and extend the application, then an even more fascinating
 idea presents itself.    In my last book I mentioned the flying
 machines described in ancient records, that flew through the air with a
 melodious sound, and theorised that the sonic apparatus was tuned to
 the hal-monic unified equations.   Now the Tibetans have given us a
 direct indication of how to construct a sonic propelled
 anti-gravitational flying machine. All that is necessary is to complete
 the circle of sonic generators, indicated by the drums, trumpets, etc.,
 and we have a disc which creates an anti-gravitational lifting force at
 the centre. From this it would appear that a vehicle could be
 constructed that would resonate at frequencies in sympathy with the
 unified fields demonstrated throughout this work.   It is my opinion
 that our own scientific establishments are far ahead in this type of
 research, and that many experimental vehicles have already been
 constructed. High frequency generators have probably taken the place of
 the low frequency sonic methods, and electronic systems produced which
 would allow complete control of movement.   With this type of research
 going on, I would say that the days of the conventional aeroplane are
 numbered. "
 ==END QUOTE===========================================================

    // Wil
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